The Iron Mainden
Short Film —
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Short Film — Coming Soon
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Short Film —
ART –
Art & Fiction project
THE IRON MAIDEN
THE IRON MAIDEN
Synopsis
In war times, a young captain has it's squad shaken by a dancer-spy. Murder, torture, pain, pleasure and power - are elements that involve a internal/external duel between captain and prisoner, bringing out the "man in uniform" values against human feelings, leading both to a cathartic end.
Trailer
Short Film
Behind The Scenes
Frames
ART –
Art & Fiction project
The Great-Granddaughter
As Bisnetas
By Marcos Cavallaria & Luma Grothe
Executive Production: Cavallaria
Co-Productin: RED Hollywood Studios
Premiere Launch: TBC
Introduction
Concept
Teaser
Concept
Teaser
A film that reflects the feminine and its archetypes in the social counter culture.
The concept is to create a contemporary atmosphere of the witches culture, analyzing how scared our society is of the empowerment and freedom of women, using the day and night to bring this duality of the world and the personality of the characters, good and bad, playful and deep.
A mixology that only women can hold.
You have to jump into your own abyss, if you believe in yourself.
Concept
In the history Men feared the power of women - who were thinkers, who attract and seduced, who inherited a intelligence and independence beyond their capability, testing their faith.
So they burned them.
They taught children to fear these women, but not the men who burned them.
Witches.. or feminists.. they still fear them.
Storytelling
A Witch in 1300, LUMA, is being burned, among the greatest pain of the fire, a song starts to take away the pain washing her over with love, it transposes itself to other time and dimensions where the archetypes of feminism are represented by MAJUR the empowerment of women, a goddesses who embodies the strength of the divine feminine.
MAJUR bring LUMA by the time and dimension to met her 22º great granddaughter - BRUNA.
They both, BRUNA & MAJUR guide her between dimensions of dream and reality.
Imaginatively all the great struggles of the feminine for their freedom and equality are portrayed, until the strongest conscience and potency that the fire no longer reaches her and she returns to the past moment of being burned, lights a cigarette and leaves the fire naked and intact.
Casting Brazil
MAJUR - The Female Entities Power
BRUNA LINZMEYER - The Great-Granddaughter - A Neta do Bruxa, queimada, Luma
LUMA GORTHE - The Great-Grandmother “Burning” - Avó de Bruna, a Bruxa de 1300
MARIANA NERY - A BRUXA QUE CONSEGUE ESCAPAR
ZEZÉ MOTTA - A guardiã de 2020 - TBC - À confirmar
Style Ref in Vidigal Brazil Scenes
Style Ref of Burning Scenes
Mood and Frame Board Storboard of France Shots
Styling Mood in France
by Fanélie Patras
Frames of scenes shot in France
ART –
Art & Fiction project
The Great-Granddaughters
As Bisnetas
By Luma Grothe & Marcos Cavallaria
Introduction
Concept
Concept
A film that reflects the feminine and its archetypes in the social counter culture.
The concept is to create a contemporary atmosphere of the witches culture, analyzing how scared our society is of the empowerment and freedom of women, using the day and night to bring this duality of the world and the personality of the characters, good and bad, playful and deep.
A mixology that only women can hold.
Concept
Men feared the women who were thinkers, who attract and seduced, who inherited a intelligence and independence beyond their capability, testing their faith.
So they burned them.
They taught children to fear these women, but not the men who burned them.
Witches.. or feminists.. they still fear them.
So they burned them.
They taught children to fear these women, but not the men who burned them.
Witches.. or feminists.. they still fear them.
Concept Storboard
First scene
Lighting cigarette on fire, nude or in rag looking underwear
(The idea is that when witches were burned, they entered a portal to the future, they didn’t die. Feminists now are the witches from the past)
Lighting cigarette on fire, nude or in rag looking underwear
(The idea is that when witches were burned, they entered a portal to the future, they didn’t die. Feminists now are the witches from the past)
Second scene
She’s in the front of the house walking naked, you can see the other witches sitting on the windows, with modern clothes, waiting for her.
Third scene
She’s in the front of the house walking naked, you can see the other witches sitting on the windows, with modern clothes, waiting for her.
She’s in the front of the house walking naked, you can see the other witches sitting on the windows, with modern clothes, waiting for her.
Day scenes
We will portray the modern witches with a lot of freshness and seduction, independence, and the freedom of the revolutionary women of today.
Night scenes
We will play with a mixture between old school and modern witches. The myth says that the witches used to dance naked under the full moon light, around a fire to regain magical powers. Each witch represents an element (fire, water, air, earth).
We will play with a mixture between old school and modern witches. The myth says that the witches used to dance naked under the full moon light, around a fire to regain magical powers. Each witch represents an element (fire, water, air, earth).
Styling Mood
by Fanélie Patras
Frames
